Category: Free Inquiry

Dear Reader, The End.

J. Riddell Matte (2020). Sad Poem. [mixed media]


Dear Reader,

The first thing I want to do is address the fact that, during my free inquiry, I never illustrated ‘Goldilocks and the Three Bears’.  This felt like a failure for a hot minute, as though because I had not done what I set out to do my entire inquiry was a bust. A write off.  A  head-in-the-palm-of-your-hand type moment.

But I’ve thought about it a lot over the past couple of weeks, as the term comes to an end….and this is what I have realized;

I may not have illustrated the story that I had planned on illustrating but I did illustrate, narrate and make a video of ‘Porridge, Porridge’ by The Brothers Grimm.  I took two illustration classes through the online education platform ‘Domestika’.  I  experimented with materials and I made art. I learned about the Public Domain and read many, many Brother’s Grimm stories through an online archive.  I discovered that children’s books generally have 32 pages. I discovered new illustrator and looked at their incredible art and I practiced storyboarding. I participated in a zine workshop through the Vancouver Art Gallery with Cole Pauls and a drawing webinar, of the Southern Mountain Caribou, offered by the Sierra Club.  I grew my personal learning network. I learned how to make screen  recordings and voice over (this might be my tech super-power). I read children’s books. I blogged. I played Minecraft. I tried two on-line graphic novel programs, and I made a couple of short comic strips and a few graphic organizers with them.  I learned  from our guest speakers about privacy,  inquiry based learning, accessibility and assessment.

Time during  the pandemic has had the tendency to drag on (it’s not just me) and I’ve heard the saying ‘time is an illusion’ more, over these past three months, than at any other point in my life. But, for me, time has passed quickly in the mess of my free inquiry + the term.  So, I guess I ran out of time and I didn’t get around to my big project, but those people who say  ‘time is an illusion’ also say, ‘it’s not about the destination, it’s about the journey’ and although they say this in reference to Life, I have come to believe that it also applies to inquiry based learning.

One after noon, back in January, as I tried to figure out my free-inquiry and while  waiting for middle-school to let out,  my youngest son & I re-imagined ‘Goldilocks & the Three Bears”.  I think that our story is kinda magic, and I am very much looking forward to illustrating it sometime in the near future.

Thank-you for being here.

Warmly,

Jen

Cole Pauls + Zines…

As part of my inquiry project, which I am starting to worry I will never be able to wrap up …I participated in the Vancouver Art Galleries “Space Comics” workshop with Cole Pauls.

During the 1 hour on-line  workshop Pauls talked about his creative process, shared how his Tahltan heritage influences his work and what has surprised him most about being an author/illustrator, all while showing participants how to build and illustrate a Zine!!

J. Riddell Matte. ‘Porridge Porridge’ Zine. 2021

The zine was done on a single piece of paper, divided into 6 illustrated pages, plus the cover and end pages. It was  incredibly satisfying attempting to tell a story within such narrow parameters, and I think that this design could also be applied to a more free-form art making process.

This would be a great activity for older students (grade 3 +) and could be applied to themes across the curriculum.  I wonder if there is a way to construct one, with the same template but using a digital platform? Or upload for further editing/enhancement using a digital program?  Something to think about….

Resources::

Vancouver Art Gallery:: Art At Home project – a fantastic complication of comprehensive art lessons!

 

 

What do you call a palaeontologist who sleeps all the time?

 

::Storyboard That:: I had a lot of ‘fun’ (who knew I used that word so much?!) making this little comic strip, and although I had some initial reservations about the program – it is definitely growing on me!

I am really appreciating all of the graphics; edit options, backgrounds, characters and categories, that are available within this program, making creating projects fun & easy!  I also noticed that there is an ‘upload’ option and although I have not tried this yet,  it’s definitely worth noting.

::Comic Life ::  Looking around, this platform offers a fantastic selection of templates,   they are both stylized & exiting,  giving students the opportunity to create story pages that look exactly like what one would want from a graphic novel making program!!

The interface is easy to use and I’ve really enjoyed playing around with the formatting; trying different templates, looking through & testing out font combinations, text bubbles and layout…I also like the squeaky balloon-stretching sound that the program makes when you re-sizing the image boxes!!  There are, however,  no pre-set graphics available.  In terms of practical classroom use, this means that students would need to create, photograph and upload their own illustrations, use a drawing tablet or curate appropriate/topical graphics from the internet, in order to place images into their chosen template.  This should not be a deterrent in using the program, only something to consider when unit/lesson planning.

In my opinion, the ‘Comic Life’ platform is great for students who are interested in making and using their own art/illustrations, for projects that benefit from the use of  photographs or other images sourced from the web, and for larger cross-curricular units.   The ‘Storyboard That’ platform can be used similarly, although the templates are not as dynamic,  the wide selection of pre-made graphics make up for this and would allow for students to begin projects with less preparation time required.

I think that each of these programs offer unique and potentially engaging opportunities for students to create and show their learning, and I am looking forward to incorporating them into my teaching practice!

 

Storyboards

A storyboard is used to organise the text across the number of available pages of the book, to iron out any problems. Illustrations are usually sketched on the ‘pages’ of the storyboard, so the author, illustrator, editor and designer can each see the author’s concept of the book. Storyboarding helps the author to nut out any issues, and detect any dead spots or sequence dilemmas.

Christine Sharp

With this in mind, I have begun storyboarding for my bigger piece and tech project, first using paper & pencil (image directly below) and then experimenting with the online program Storyboard That –to test out my ideas, and the process of using an online/digital format.

J. Riddell Matte (2021) Storyboard WIP

J. Riddell Matte (2021) Storyboard WIP #2

My thoughts….

I think that the ‘Storyboard That’ product looks very professional.  The interface was intuitive and I loved that there was a wide variety of  images to choose from. I appreciated that it offered different positions for the animals to be in, that you could shift the direction of images and mess around with the colours. I enjoyed adding text, the options provided for the text bubbles were fun and I liked the creative process of considering the story to allow for the images to carry some of its detail.

I also found the process to be a bit tedious.  It was often tricky to maneuver the images, to the point where the whole background would shift when I tried to select and edit smaller components.  As you can see above, despite having saved my work many (many!) times,  there is missing/dropped text from the final image, which is frustrating.  I am unsure as to how user friendly this platform would be for students, but that being said, this is my first time trying it and I am using the free format. I think that this would be a great platform for classroom use on smaller projects, as it allows for creativity without the risk of having your artwork judged,  as well as story-telling or information sharing, but would require a larger chunk of time be made available for students to really play and enjoy the process.

J Riddell Matte (2012) Cut-out Bear

One of the suggestions that has come up multiple times throughout my inquiry, is that successful illustration requires a personal creative style.  This style may vary from project to project, but should be consistent over the course of an individual story.

In an effort to work on my style, I have been playing with various art techniques, materials and attempting to push myself outside of my comfort zone.  I recently started a new course on Domestika – Story Illustration with Paper by Estrellita Caracol, which has been wonderful so far and the image of the bear, to the left,  is a product of this course.

This week I will continue working on my storyboard layout, creating images and experimenting with the ComicLife program. I have also taken out a number of graphic novels from the local library, to look at how they have been designed re: the layouts, colors and story.

 

 

 

 

Graphic Novels 

Sugar Falls; A Residential School Story by David Alexander Robertson & Scott B. Henderson

Drowned City; Hurricane Katrina & New Orleans by Don Brown

Lucy Dreaming by Max Bemis & Michael Dialynas

Be Prepared by Vera Brosgol

 

Additional Resources

Core Ipad Apps for  SD61 – is a great resources to check-out the apps that are regularly in use/available on SD61 tablets.

ComicLife is the graphic novel program used by SD61  ( I am excited to try it next!)

A Brief History of Children’s Picture Books and the Art of Visual Storytelling by Maria Popova @ brain pickings.com

Claire Lordon Design: Made with A Smile has loads of interesting information and suggestions around planning, writing and illustrating children’s books.

Christine Sharp: 12-part Guide to Writing and Publishing Children’s Books

 

 

Tip #3: make all the art

My Post

J.Riddell Matte. Goldfinch & The Three Bears (2021)

Truth?

This project still  feels a bit like a free-fall, even with Mr. Scheffler’s trio of tips, which have been extremely helpful in keeping me on track, I am often overwhelmed about where to even begin with interpreting a children’s story.

In an effort to find more guidance  (+ a smidge of calm),  I decided to take Adolfo Serra’s course on Domestika, “Introduction to Children’s Illustrations”.  I am almost done, and it has been amazing!! In his course Serra breaks down the process of story illustration.  He provides tips and homework that  encourage both creative thought around your chosen story,  as well as experimentation with different mediums, and the art he makes as demonstration is fantastic!

Doing art for this project is happiness for me right now, which is not something I am taking for granted.

So far, I have discovered that I like having the framework of a familiar story. I like considering which are the most interesting bits and how they should be illustrated. I like thinking about whether to layer images on a page, or not. I like reminiscing about the books that I loved reading to my boys when they were little, and I adore thinking about & making art.

This week, I am starting to illustrate Goldilocks & The Three Bears. I am not sure how successful I will be but…I am also not sure that matters so much anymore.

 

Additional Resources

Adobe Spark

Note: In order to share my art for this post, I wanted to find a collaging program/app that would allow me to combine my paintings into to one image. I looked into a number of programs &  settled on the Adobe Spark. It’s a free, online program that allows you to add your photos and provides a number of options for design – it was fun & very easy to use.

 

 

“If you want your children to be intelligent, read them fairytales.” – Albert Einstein

 

Design by Kenneth Whitely for Works Programme Administration in 1939 – Source.

Tip #1: Find a Story aka The part where I learn about Public Domain.

According to Wikipedia [2021]

“The public domain consists of all the creative work to which no exclusive intellectual property rights apply. Those rights may have expired (this occurs 70 years after the death of the author, or in the United States any book published before 1926), been forfeited, expressly waived, or may be inapplicable.”

Therefore, public domain includes the written works of Jane Austin, Lewis Carrol, Bram Stoker, Sir Arthur Conan Doyle and the Brother’s Grimm, just to name a few.

 

I am most excited about the fairytales included under this umbrella, both for their charm & wisdom (I wholeheartedly agree with Mr. Einstein) but also their nostalgic familiarity.

I am hoping that my memories, along with having read the story to my own children, will help in my attempt to illustrate Goldilocks and The Three Bears and to possibly  re-imagine this classic fairytale, but don’t hold me to this….

 

Resources::

Grimm’s Fairy Tales, is a large collection of the Grimm Brother’s  stories, hosted by the Carnegie Mellon University’s School of Computer Science

The Public Domain Review is a beautiful collection of art & literature that can now found within the public domain

Mr. Scheffler to the rescue…

The first thing I did upon deciding that Learning How to Illustrate Picture Books would be my inquiry topic was, obviously,  enter “children’s book illustration” into a YouTube search.

It’s not a very glamorous start but, I am very excited about this project and with a million ideas swirling around in my head, I really needed to find a focus, a voice of reason and guidance, to get the ball (point pen) rolling…..

Enter Axel Scheffler.

Mr. Scheffler is the brilliant, award-winning artist responsible for illustrating such books as The Gruffalo, The Snail and the Whale and Room on the Broom   – all written by the talented  playwright, song-writer and author Julia Donaldson.

In the short video posted below,  Mr. Scheffler shares his “Top 3 tips for budding illustrators” and this is where my journey will begin….

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